Showing posts with label Digital Humanities. Show all posts
Showing posts with label Digital Humanities. Show all posts

Monday, 8 October 2018

2018 ALPSP Conference Report - From Adventures in Publishing to #MeToo

In this blog, Alastair Horne, Press Futurist and social media correspondent at this year's ALPSP Conference reports on a packed few days in Windsor hearing from the scholarly publishing community.


This year’s conference once again offered a range of perspectives from across the scholarly publishing ecosystem on the key issues that affect us.

photo Chris Jackson
Keynote - Professor Chris Jackson
Thursday’s opening keynote was given by Professor Chris Jackson, who shared his own experiences as a researcher who has engaged deeply with the industry, publishing more than 150 articles, acting as editor for three journals, and co-founding the EarthArXiv preprint server. In a wide-ranging talk, Jackson offered some advice for publishers drawn from his experience: to be transparent about APC pricing; to offer strongly reduced APCs to early career researchers in order to build an affinity with new authors; and to be clear about their views on metrics. On open access, though generally enthusiastic, he suggested that Plan S had caused concerns among academics and might create challenges for societies who relied on income from subscription or hybrid journals to fund their other activities.

Open access was, inevitably, a theme that persisted throughout the conference. The panel that followed Jackson’s talk asked how societies and publishers should ‘accelerate the transition’. Kamram Naim shared details of the ‘subscribe to open’ model used by non-profit publisher Annual Reviews, which addressed the twin problems of library policies on ‘donations’ often preventing the support of open access initiatives, and the fact that APCs don’t work for journals that publish invited contributions from scholars, rather than receiving submissions. Their ‘Subscribe to Open’ model, which bears some similarities to Knowledge Unlatched’s, sees libraries receive a discount on their journal subscriptions if they choose to participate in unlocking initiatives: if enough do so, then that volume’s issues of the journal become available through open access; if not, then only subscribing institutions have access. Naim’s fellow panellist Steven Hill, Director of Research at Research England, and architect of the new REF, insisted that the new requirement for open access monographs would not mandate any particular model. His position was strongly challenged, though, by the panel’s third speaker, Goldsmiths Press’ Sarah Kember, who asked why the transition to open access for monographs was happening at all, and called for a deceleration to allow time for more consideration of differences across the sector. Plan S, she suggested, totally disregarded the humanities and monographs, and posed a considerable threat to academic freedom by restricting where researchers could publish.

photo Conference Panel session
Panel debate on Open Access
The following day, a further session considered the impact of open access on library sales, strategies, and solutions, as library directors from Europe and the US shared some insights into their institutions’ recent cancellations of big deals. Wilhelm Widmark, Library Director of Stockholm University, suggested that the Swedish universities’ decision to reject what he described as a ‘good’ proposed deal with Elsevier was because it didn’t offer a sustainable route to full open access; the money saved is being redirected towards fully open access journals. Jean François Lutz, Head of the Digital Library at the University of Lorraine, and Adrian Alexander, Dean of the Library at the University of Tulsa, added that their own institutions’ decision to cancel some of their big deal contracts were prompted by budget constraints and unsustainable pricing increases.

Friday’s opening session considered another increasingly hot topic: customer data. Chris Leonard from Emerald shared insights from their work in mapping user journeys in accessing their content, and one key finding – that though a high proportion of people who visit their site discover it through Google, the majority of those people don’t have institutional access and so leave; people who come to the site via library discovery services are far more likely to continue their journey further. Lettie Conrad of Maverick Consulting spoke of the wealth of data available to publishers, both internal – customer service records, sales reports, customer data, market research findings, product testing and user studies – and external – competitor analysis, discovery journeys, and usage analytics. Transforming such data into usable information required strategic thinking and some investment, she suggested, but it wasn’t rocket science. The third panel member, David Hutcheson, told how BMJ had developed a strategy for using data to inform their decisions, drive user engagement and deepen user understanding. Working with consultants and stakeholders to create an overall plan, they started by deepening their understanding of their existing technology and resources and testing them to see what worked. Integrating their different platforms to connect their data, and developing partnerships with suppliers, the BMJ set up a small six-person data team to serve as a specialist centre of excellence, supporting the rest of the business, automating processes and delivering self-service reporting to enable and empower colleagues to make use of the data produced.

The parallel sessions offered the usual dilemma of which to attend, and though there’s too little space to describe them all here, a personal highlight was a fascinating panel on the digital humanities. Peter Berkery of the Association of University Presses, Paul Spence of King’s College London, and Etienne Posthumus of Brill all discussed recent experiments in finding modes of publishing that would support the complex needs of this growing sector. Spence spoke of the need to fix a common terminology for the different types of publications produced, while Berkery talked through four marquee digital projects by university presses: Rotunda at Virginia, Manifold at Minnesota, Fulcrum at Michigan, and .supDigital at Stanford; Posthumus spoke on Brill’s own initiatives in labs and data.
Revenues from rights formed the focus of the day’s final session, sponsored by Publishers’ Licensing Services: Rebecca Cook of Wiley emphasised the need for thorough documentation governing what can be done with content, while Clare Hodder urged publishers to invest in metadata.

Photo Awards Presentation
Code Ocean wins the ALPSP Awards for Innovation 2018
Then, at the evening’s gala dinner, the winners of two prestigious ALPSP Awards were announced: Richard Fisher was honoured for his Contribution to Scholarly Publishing over a long career, both at Cambridge University Press and in his retirement, busier than many people’s main careers; then the cloud-based computational reproducibility platform Code Ocean was named the winner of the ALPSP Award for Innovation in Publishing.

The final day of the conference was dominated by ethical questions. Professor Graham Crow of the University of Edinburgh explored issues in research and publishing ethics, before the closing panel session addressed ‘The #MeToo Era in Academic Publishing: Tackling harassment and the roots of gender bias’. Femi Otitoju of the Challenge Consultancy shared some lessons drawn from thirty years of experience working in this area, emphasising the need to create the right working culture by focusing on positive outcomes rather than problems – having a ‘dignity at work’ policy rather than one on harassment, for instance – and prominently highlighting such policies through posters rather than pages buried on the company intranet. Karen Phillips of SAGE spoke of the need for publishers to learn from each other, while Eric Merkel-Sobotta of De Gruyter emphasised the importance of economic arguments in convincing management of the need to address such problems. Dr Afroditi Pina shared the results of her research into sexual harassment and successful strategies for addressing it: the need to agree appropriate sanctions for unacceptable behaviour, the role that public apologies can play in such sanctions, and the importance of listening un-defensively to those reporting harassment.

photo Beaumont Estate
The Beaumont Estate

If you would like to hear more about this year's ALPSP Conference, you can find video footage, audio and speaker presentations at:

 

https://www.alpsp.org/2018-Programme


The ALPSP Conference and Awards 2019 will be held at Beaumont Estate, Old Windsor, UK on 11-13 September. Please save the date!



Thursday, 12 February 2015

What next for humanities books?

Anthony Cond, Liverpool University Press
Many publishers now spend less time understanding the underlying cultures of the specific research communities they serve. The humanities has been accompanied by rhetoric of perpetual crisis, with contemporary concerns over utility, research income generation, the allocation of resources and the quest for impact, all in a digital context. Anthony Cond, Managing Director of Liverpool University Press, asked how publishers can speak to these concerns, support authors, build readership and understand how innovations are received by the community.

When it comes to understanding the present, we need to take into account the historical performance of humanities students. As a discipline it peaked in the 60s. What we're seeing now is a fairly consistent level. Today, in the UK just over 10,000 full time equivalent researchers were submitted to the REF 2014 with quality coming third.

In 2014 the JISC survey found 95% of humanities respondents viewed writing a monograph as important or very important for career purposes. Half felt it was difficult or very difficult for someone at their career stage and in their discipline to do so. Only 10% found it difficult or very difficult to access a monograph. There was also an even preference for print and digital books.

Is there an issue around understanding (or not) of DDA or STL? The primary purpose of DDA is to align library purchasing with scholarly activity. Not about saving money. Social scientists are more likely to buy a book, humanities scholars more likely to borrow from the library.

When understanding impact, publication is dissemination, impact is about getting outside of the academy. In the UK, research publications have to have a wider application. They need to be written to be read. This shows the editorial craft value that publishers can add. They need to capture its use, citation and influence. Consider having an impact section on your book proposals.

The humanities remain viable and the monograph is still important. Scholars will want books with greater potential for impact, greater editorial input, available in print and digital. Cond closes by quoting Rick Anderson: it's not about innovation, it's about relevance.

Frances Pinter, Manchester University Press
Frances Pinter is CEO of Manchester University Press and Founder of Knowledge Unlatched, a new approach to funding scholarly research.

She reflected on the challenges and opportunities afforded by the impetus towards digital research tools, digital output, multiple formats and open access in a humanities context.

Characterising the humanities is difficult because the boundaries are least well defined. Everything about digital means that these boundaries are being redrawn. As publishers, we need to better understand what is happening to the knowledge infrastructure in and between disciplines.

What's changing? Selecting and analysing data is transforming how humanities can describe what they do. Control of dissemination is evolving and changing. With scholars and scholarship, using digital techniques is not new, but it's becoming more visible. In the US, there is more recruitment in digital scholarship, peer review is changing and there is a new role called 'Alt Ac' - not tenured and happy with that. Part teaching, part practical, part interdisciplinary. Crucially, interdisciplinary is not on the table, it IS the table. How do scholars go about managing that?

There is a real opportunity with the long tail of humanities publishing - the ongoing longer life of sales. Publishers can lead in helping with new forms of peer review. They can be clear about the value of brands. They can help authors in this transition to be better communicators. Not everyone can be a Brian Cox, but publishers can help with initiatives such as Thema (a new coding structure to deal with interdisciplinarity), Kudos, etc.

Paul Spence, Digital Humanities, King's College London
Paul Spence is a senior lecturer in the Department of Digital Humanities at King's College London. He observed that it is often stated that the humanities have been slower than other academic sectors to react to the information age. Yet they have the most to gain from digital innovation.

With a background in collaborative scholarly resource projects in the humanities, often with a strong emphasis on modelling and XML and semantic web type technologies. He doesn't have a particular vision as the longer he's worked in this area, the more questions he realises there is.

Web technologies are increasingly open so that humans and machines can analyse. In the humanities, when compared to huge transformations in society, this isn't the same in these disciplines.

The biggest criticism of digital humanities at the moment is that it mimics non-digital version. They also tend to be very textual without connecting to geospatial evidence for example. There's also not much evidence of the performance related (e.g. for drama). There is potential to develop new visualisation using textual and historical data. There was much made of the social potential breaking down walls between creator, writer, audience. That's not really come to fruition.

In the digital humanities, a lot of time is spent trying to enrich what is essentially inert information, meaning that it's not that dynamic or engaging for the user. We should also consider if there is more potential for aggregation and disaggregation?

Integrating Digital Papryology is a Mellon funded project that attempts to document group collaborative peer review. Another interesting aspect is the idea of the enhanced publication model. Rich internet publication is not limited to report the results, but also allows interrogation of underlying data sets and models. Not common at the moment, but may become more prevalent in the future. They have a number of ongoing partnerships - including with publishers - that are very important in rethinking the future of the scholarly book.